Working with the Leica M Monochrom.
Last weekend I had the opportunity to work with the Leica M Monochrom together with the Summilux 35mm 1.4 asph and Summarit 75mm 2.4. Last year I tested the Leica M (type 240) with the Leica Summicron 35 and 50mm f2., you can read this blog here. Now it was time to test the slightly more expensive black and white only version.
Look and feel
The look and feel of the camera is like all Leica M models. Sleek, sturdy and robust, The Leica M camera’s are build like a tank! Although they don’t look ergonomically, they are really easy to hold and work with. All the buttons you need are on it and nothing you don’t. The Leica M camera’s are pretty bold. But the things they do are great and working is easy!
The packaging
This time I also got the whole packaging experience with the camera. The Packaging of the Leica M Monochrome is what packaging for an expensive camera should be! Although it starts with a simple thin cardboard grey box, it is like a Russian Matroeska. In the great box is another silver grey box, which folds open really nicely. In that box is the real packaging. The top part has a box holding the camera and under that is a door withs gives acces to two small drawers with one holding the manual and warranty papers and the other all the cables, charger and battery.
Some people will say, why spend so much on packaging, better make the camera cheaper. Well, I disagree! Yes you could make it cheaper, but this will only make it roughly 50 bucks cheaper, and on the amount you spend on this camera you want an experience! And this gives you the feel that what you payed is worth it. If you buy a Mercedes you also don’t want the dealer just give you the keys and please leave asap. You want the whole sha-bang!
The use of the camera
In use the Leica M camera’s are (as said before) really easy. The Leica M Monochrom is no exception on this. The body has only a few buttons. Let’s start on the top. The top of the Leica M Monochrome had the on/of switch with the shutter button in the middle of it and the shutter speed dial. With the on/off switch you can choose between, S(ingle), C(ontinuos) and timer mode. Also on the top is a small silver-gray button with the M beside it for movie mode.
On the back is the LCD-screen and on the left the button for: Live view, Playback, Delete, ISO, Menu and Set. And on the right side the D-Pad with the info button. Beside the thumb grip is a small wheel for the exposure compensation and use in the menu.
All in all: just all you need.
For the people new with the Leica M system, you set the aperture with the ring on the lens and the focus is manual!
In the menu are all the things you can set. It also has 3 different black and white toning! Sepia, Selenium and Blue as an extra option!
Working with the camera
Working with this camera was a pleasure. I really loved it. It gave me the feel/love for photography like I had starting with the Fuji X100, but without the quirkiness!
For working with a black and white only camera you need a different mindset! Because with the absence off colour, other things get more important. Now it is about subjet, structure, light, contrast and focus. This camera made me enjoy shooting nature, something I never had done before. Just walking through the forest with some music in my ears searching for structure and little pools of light was almost a zen like experience!
Speaking of focus, the Leica M lenses and focus system are a joy to work with. Even with wider aperture it was easy to get sharp images. The light meter was also easy to use. But mainly I work in Aperture priority mode by setting the speed dial on A.
The Shoot
This weekend I organized the Photo Fun Day with a couple of friends (photographers, MUA and models). The target for the day was shooting nice pictures and have fun with each other. Just a relaxed day to shoot some nice work and no pressure
I loved the camera during the day. It was great for the behind the scenes shots because of the quietness, people don’t notice you a lot working with the camera. And during the production it worked great! We did some shots with flash near the house just using the wall as a background.
For light we used the Elinchrom ELB and LiteMotiv 120 sofbox.
The only thing I don’t like about the Leica M Monochrom for studio use is that you can’t go below ISO320. This means you always have to use small aperture values. This means that you can’t work easily with smaller depth of fields using flash and balancing natural light. Also during the shots in the forrest this gave some issues and challenges.
Later during the shoots I switched back to using natural light only and the camera was killing it! This camera is really build for use with natural light. Or in the studio with studio light only.
Another dislike is the writing speed to the card. It took a while for the camera to write from the buffer to the card. Especially when shooting with small burst. But once you know this you can keep it in mind. It isn’t a camera build for speed.
(Post edit: I got the advice from that faster 90mb/s cards can help)
If you look at the Histogram keep in mind that it shows the histogram of the RAW DNG file and not the preview jpeg. So if you blow out your highlight, it is gone!
The Summilux 35mm 1.4 asph
The Leica Summilux 35mm 1.4 asph is THE lens for the Leica M system that everybody should buy or start with! I already loved and got used with the 35mm field of view with my Fuji X100. It is for me thefield of view for allround shooting. You can shoot with on the street, landscapes, portraits, wedding, reportage, fashion and everything else. And the Leica Summilux 35mm 1.4 asph is IMHO the lens for this job. It is wide enough to capture a scene, but close enough to not get to much in the scene you don’t want. Low on distortion.
The bokeh is the best I have ever seen! The details are sharp, the transition is butter smooth and the look is killer. Don’t know anything else to say beside I love this lens!!!
The Summarit 75mm 2.4
The Summarit 75mm 2.4 lens was the surprise lens for me. It is a new lens in the Leica range and is targeted as the “Budget” portrait lens. To be honest, I was a little bit skeptical with it. It has a 2.4 aperture and the 75mm focal length. But I was very pleasantly surprised with it. It was sharp, great bokeh, smooth focussing, nice depth-of-field and had a nice compression!
Although it has a 2,4 aperture it has a small enough depth of field for portraits to create a nice out of focus background and large enough to keep the important thing in focus. Especially while focussing manually. Take in mind also that in the studio I hardly never photograph below f5.6. So a really wide aperture isn’t needed.
It think that if you start with Leica and you want a portrait lens, this is the go-to lens and it is definitely on my list!
Working in post
After the shoot I imported everything in Lightroom CC. I first tried Capture One Pro 8 but I noticed it had problems reading some of the DNG files.
In Lightroom the images look a bit flat. But Rob from Transcontinental warned me for this. The DNG shows you the whole dynamic range. So you need to adjust it in LR. But with a few simple tweaks with the blacks, whites, shadows, highlights and clarity sliders the images turned into great contrastfull black and white images.
Even being digital they have a great analog feel, especially when printed. The prints from the Leica M Monochrom could easily been made years a go. But with all the advantages of working digital!
High ISO
Because the days where sunny I didn’t had a lot of chance to shoot en test the camera on high ISO. But the few I shot with it on higher ISO’s where great. No noise, just nice fine grain!
The Conclusion.
The Leica M Monochrom is one of the best camera’s I ever used! Together with the lenses they create some of the nicest photo’s I made this year! It also brought back some joy in photography and let me explore new kinds of photography. Many of this has nothing to do with the technical aspects of the Leica M Monochrom. This camera gave me a new way of thinking and working. It pushes you to higher levels with your photography. Because the camera doesn’t correct all your mistakes with auto-focus, IS, d-lighting and other tricks the only one to blame for bad pictures is yourself. And because the camera gives really detailed photo’s you get those mistakes back, hard a little bit like when I was using the Hasselblad CFV-50c (read more about this here)
Off course there are a few things I would like to improve! The ability to shoot ISO100 natively would be great for really sunny days and studio work. The writing speed to the cards would also help. But beside that I don’t know.
For the people wandering which to get the Leica M of M Monochrom, this is the question to ask: Do you need colour? Personally I would love the Leica M Monochrom, but starting with Leica I would pick the Leica M (type240) to start, because I also do a lot of colour portraits for clients. If I would shoot black and white 95% of the time go straight to the Leica M Monochrom. For the clients who want colour, say you only work black and white. And they will only book you voor black and white anyway because you won’t post any colour work anymore in a long time after buying the Leica M monochrom.
For the people who think it is a way to expensive camera….. yes it is, but a handmade Rollce Royce is also a way to expensive compared to an cheaply mass made asian made car!
If you have any feedback or questions, please post them in de comment section below!
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Leica Test Drive: Leica M (Type 240)
A few weeks ago Leica announced the Leica test drive. I have always been interested in Leica camera's, but never wanted to invest in it before I could test it. So the Leica test drive was the chance to test out a Leica in a real world situation. So I organised a photohoot to test it out and used it on 2 commercial jobs in the same weekend.
The Leica M (type 240) Kit
In the Leica test drive kit was the
- Leica M (type 240)
- Leica Summicron 50mm F2.0 ASPH
- Leica Summicron 35mm F2.0
- Leiva EVF2 Electronic Viewfinder
- Charger
- Card reader
- Case
First Look at the Leica M.
The first thing you notice when you hold a Leica is the build quality. These camera's are build like a tank. They don't look ergonomically, but are very pleasant to hold. The further lay-out is really simple. On top is the shutter time and release button, with the on/off switch. With the on/off switch you can also chance from, single to continuous or timer mode. Also there is a small button voor Movie mode which I haven't used. The Hotshoe has a nice slider to fill it up when it isn't in use.
The back panel has a kind of okay LCD screen, the buttons for LV (LiveView), Play(back),Delete, ISO, Menu, set. On the right side is the D-pad with an info button. At your thumb is a wheel for different tasks, like scrolling the menu and exposure compensation. The viewfinder has a small ring without a diopter, which for me as a glass wearing person wasn't the most comfortable.
If you unlock the bottom plate you get acces to the SD card and the battery. I am not really fond with this, especially when you want to use it with a tripod. Then you have to unscrew everything before you can change the battery or the SD card.
The Leica Summicron 35
The Leica Summicron 35mm f2.0 is delivered in a greatly designed leather softcase. It had a rubbercap to put on the lens hood for if you don't want to use the lens cap, which you can store in a special part of the lens softcase. The little grip makes it easy to focus with. The focus ring is smooth as butter. The aperture ring is nice but has a little bit of a cheaper feel. I have had lenses where the aperture ring felt better.
The Leica Summicron 50 f2.0 ASPH
The Leica Summicron 50mm f2.0 has the same build quality as the 35mm. I missed the little focus thingy of the 35mm! Which made focussing a little harder. For the people who don't know. This €12.000 camera kit has NO AUTO-FOCUS. But the manual focus system with the two glasses works brilliant! Because it is a range finder you get frame lines in the viewfinder representing the area that is in your frame. The 50mm is for me the longest lens to use with this. For longer lenses I would love to have the Hybrid Viewfinder like the Fuji X-Pro1 has. But for working with the Leica Summicron 50mm is good enough!
The Photoshoot
To really test the camera I organized a small photoshoot. I had a lovely Ballerina (Charlotte Geeraerts, two assistants (Mike Foto and Riet Verwoert), a person who filmed it (Ilse van Gemert) and my MUAH Elvira Korten (Made of Make up). For location I rented the Metaal Kathedraal in Utrecht. A behind the scenes video is posted at the end of this blog!
The Images
The most important thing off any camera, the images!
The Leica M has some film simulation. I liked the smooth color the most. It has the "Add the red chanel for contrast" in photoshop look. On the back of the camera it looked great but on the computer the shadows where to dark. Since I always shoot Jpeg+Raw (DNG in de case with Leica) there was nothing to worry about. Below are two images, one is the Jpeg and the other the raw file exported from Lightroom as a Jpeg.
For me the camera worked best in available light. Below are 3 pictures shot only with the ambient window light. Please also notice how much of a difference you can make with just walking around the model!
When I combined flash with natural light the white balance got it pretty right!
Conclusion
I loved working with the Leica M (type 240) with the Summicron 50mm f2.0 ASPH and Summicron 35mm f2.0! Allthough it is manual focussing, it works. The layout of the camera is simple. Everything you need, nothing you don't with a build like a tank body. Everything feels sturdy!
But, is it worth the €12.000 price tag? Well..... for me it's not. That doesn't mean I wouldn't like to have this camera kit, because I really do! But the price is to high for me. I don't see the extra benefit's over my current kit with the Nikon D800 and D610, and my fuji kit. I love the whole feel and look and way of working, but the image quality isn't like, 6 times better than the €2000,- Nikon D610 basic kit.
If I was a fulltime street or reportage photographer this camera would fit like a glove, it is low profile, light, portable. Also for fashion or commercial works it can do the job. It isn't an action camera. Although if you know your technique you can do it!
So my final conclusion. The camera is great, if you have the money, buy it! If you don't, then you don't miss anything. The camera is a tool, the photographers make the difference!
Watch the behind the scenes video of the ballet photoshoot in the Metaal Kathedraal