Street Photography: Paris 2014
For a while I had the wish to practise some street photography. For me there are only a few city's to really do this, and number one on the list is Paris. So I went for four days to Paris!
The first day I went on the street with just my Nikon D610 with the Sigma 24-105 f4 lens. For quality this is a great. Something I noticed that a lot of people on the street where smoking.
The standard strap didn't work out to be easy to use. So i went out for the search for a new strap. The street north of the Bastile is a truth photographers heaven. I have never seen so many nice Photography shops together in one street! I soon found a Black Rapid Yeti which let's me combine the Nikon D610 and the Fuji X-Pro1 on both sides of my body.
The Second day I went out with the Nikon D610 and the Fuji X-Pro1. Although it is a great combination, after walking a day with it my shoulder got really bad. But the X-Pro1 with the 35mm 1.4 lens is a truth beauty for street photography. It is small and compact and let's you held in So for the thirt day I kept my D610 at home.
BUT!!! not after waking up at 6.30 to walk up the mountain of the Montmartre to photograph the Sacre Couer without many tourists in front of it. But it appears that when there are no tourists in front of it and there is light, there is a hole army of cleaning people in front of it. But I managed to get one good shot.
After some walking around in the streets with just the X-pro1, we took the boat on the seine. Giving some nice alternative views on Paris.
The last day we made our last walk around Paris. Now I was finally getting into getting better street photography shots. I really noticed it takes a lot of practice. Taking you time and slow down is really essentialy for some good street photography. Also find a stage and the players will com (quote from Jay Maisel) really works!
The last stop was at the Norte Dame. This was the place to work on a street photography project I am working on. It is about photographing photographers! Especially tourists!
After all it was a great trip and I have learned a lot about street photography. Am I now a street photographer? No! I just got my tose wet. But I can't wait for a next trip to go further and explore it more. I don't now if I will ever be a real street photographer, but I loved ding it.
DANCE PHOTOGRAPHY SESSION PART 2: The group shot on the wall
Hi and welcome to the second part of the Dance photography session. This serie is about a commercial dance photography shoot I did for Djenz Factory. If you didn't have read the first part about the Headshot, click here and read about it: DANCE PHOTOGRAPHY SESSION PART 1: THE HEADSHOTS.
The set-up
As you can see in the test production photo the whole set-up was just one light! The Elinchrom Rander RX Quadra, with an A-head in the A-port for the biggest blast of light. Everything was mounted on a C-Stand with three sandbags and my assistent holding it. It went up for the maximum height, and I didn't want to take any risk of it tipping over. The camera was the X-Pro1(ISO:200, 1/125th, f8) with the Fujinon 18-55 2.8 - 4 lens at 18mm.
Post-production
Because this was a group shot on a 16mp camera I kept the post production very simple. These shots are about the group, not about retouching every skin detail. And for doing that, there was not enough information to make the skin look better. So I just focused on getting the mood. So all I did were some basic Lightroom touches. Just some sharpening, highlight, shadows, and a vignette to focus the view on the group.
Shooting portrait and landscape
Remember always to also shoot and deliver a Portrait and a Landscape version of the photo. This way your client has the option to choose and have the highest quality for the way they want to use it.