London Dance shoot with the XT-1
Recently I went to London for a business trip. I also did a photoshoot with two dancers. To keep my gear as light as possible I took the risk of only taking the Fuji X-T1 with the 35mm 1.4 and 65 1.2 lens, a Fuji X100 camera, a YoungNuo YN560II flash and Cactus v5 triggers.
The day of the shoot was the third day of my trip and unfortunately the charger of my X100 died, so I had only the X-T1 and the 35 1.4 and 56 1.2 lens left. For modifiers we bought a small Ezy-Box nock-off at the Calumet store in London.
Location Scouting
The second day of my trip we went location scouting. We found a couple of locations on a small walk from Convent Garden to the south bank. When we wanted to start shooting at the first location, the garden behind the church at Convent Garden, we got asked if we had a license and since we didn't knew, we got send away.
First Shots
The second location was a small alley near Trafalgar Square. It was a lovely ally for some portrait work and some warming up shots.
Trafalgar Square
If you are shooting in London you better show you are in London. So the second shooting location was on Trafalgar Square. This was a great location to shoot. The only big challenge was that I only had a 35mm (50m eqv) lens as widest angle. So to get everything in the shot like the high statue there was nothing left then getting really low, Like put your head on the pavement low.
Westminster Bridge
If there is one landmark screaming London, it is the Big Ben. So we went to Westminster bridge for the last photo's with the Big Ben on the background. It was pleasent to see how the Crowd reacted and just walked calmly past us.
The verdict about the X-T1
The Fuji X-T1 is a great camera. But not for things that move. 7 out of 10 shots the focus was wrong. This doesn't makes the Fuji X-T1 a bad camera, but for dance and action photography the X-T1 is not the camera. During the shoot I was wishing I brought my Nikon D800 or D610 with me. Although they are a lot heavier, the focus tracking is great.
For the portrait and street work the Fuji X-T1 one worked great. Currently I am in doubt about getting a wide angle 14 or 23 mm lens for the X-T1 for some more wide stuff or upgrading the X100 to a X100S or T. But they stay additional camera's for travel or when I need to go light. Also they are great for portrait and studio photography. But when the chips are down I rather go for the Nikons DSLR camera's.
Besides talking about camera's, trips to London are always fun. Also having the possibility to photograph two really nice ballerina's is always great! I had a great time and can't wait to go back again! Hopefully even later this year!
Dance photography with Fuji Camera's
Last week I did a dance photography sessions with the Fuji X-pro1 and X100. I Asked two dancers to model for the shoot, One is a classical ballerina and the other a break- and zouk dancer.
In studio
I started in the studio with just one light. I recently bough a Elinchrom Rotalux 150cm Deep Indirect Octa soft box on a white background. But it was to light for my taste so I changed to a light grey background just for some more moody feel.
For light I started with the Elinchrom RX one, But this was to weak to over power the ambient light in the studio in the 150 Deep octal, It is a big softbox!!! So i changed it to the Quadra. Because the ISO starts at 200 with the Fuji's and they have APS-C sensors, I didn't wanted to much light, for a smaller depth off field (f5.6 to f10/f11).
After some solo portraits and dance photo's it was time to put them together
I am starting to love my Fuji's more and more, The only things I really dislike is the waiting until all the photos are written to the card before you can watch them back. Because I was working with dancers this was getting anoying. They want to look them back fast so they can check if the position is right. Especially the feet. If you never have worked with dancers then it is good to know that, the light and emotion can be perfect an you go, "WHOOOO GREAT PHOTO JEEEEJJJ!!!!", but the feeds or hands are a few degree of..... It is not a good photo. Because people who know dance see it and you will get your butt kicked!
Also I would love to have the option to shoot ISO100 Raw. Just to be able to work with smaller aperture to get a smaller depth of field.
Going Outside
For the outside shots the Fuji X100 is still a killer. Because of the Leaf Shutter you can get a really fast X-sync to get a darker sky. I switched to the Elinchrom Maxilite because it has a higher output, so I didn't had to stress the battery off my power pack so much. I was working with the Elinchrom Ranger Quadra RX with an A-head on the B-port. This has 33% of the A port. So with the Elinchrom Maxispot I had enough light and stopping power to freeze the action! Also when I switched to the X-pro1.
Back to the Studio
After the rooftop shoot I wanted one other shot I saw in a Joe McNally Kebly training video. I just used a Single Quadra head in the B-port on full power in a Small Elinchrom Rotalux strip soft box. This was on a C-Stand at max hight, The dancer was slightly behind the head to feather the lighting.
Into The Dark Lightroom
Into lightroom I do just a little bit of FerryDusting on the imaging. I am not a big photoshopper. I want it to by stylized but still had to be real. So I did just a shapening, a bid of Pumping up the shadow, Drop the blackpoint. Opening in shadows, somehow adds some blue's in black, so especially with the studio shots I pulled down the blue saturation completely. Also some vignetting to finish it.
The Fuji's
Some say the Fuji's are not fast enough for shooting sports or action. But I think these pictures proof different! Getting your techniques down is the clue to good photo's, camera's are tools like a hammer is for a carpenter. And Photoshop and Lightroom is just the cream to finish of the dessert. Getting it good in camera with the light is the most important thing.